![]() I built a new session, populated the tracks, record-enabled all of them, and shazam, there it all was. Imagine my amazement when under Playback Engine an option for DN32-USB showed up. So I hooked up my elderly MacBook Pro to the rear USB port and started Pro Tools. The monitor guy heard what I was doing and said, "Yeah, there's a USB out on the back panel you can get all 32 channels from." I said I thought that was a stereo-only thing, and he said, no, the USB port on the front panel was stereo only. ![]() I didn't want to throw inputs away, so I foomfered around on the web researching the Midas M32 they were using for FOH trying to figure out if there was a way around this. I got there, talked to the engineer who was running the audio side, and found out that sure enough the input count had now reached 31. He said 26 inputs would be fine, I was a little unsure. By combining the preamps on the Fireface and the externals, I can record 26 mic inputs. I have a small system I use for jobs like this with an RME Fireface and a rack with 24 preamps in it. When connected to my 2008 MacBook Pro running 10.8.5 and Pro Tools 11.3 the Playback Engine DN32-USB becomes available to Pro Tools allowing recording of all 32 input channels via USB 2.0.Ī friend asked me to record tracks for a showcase he was producing in Hollywood over the weekend. When configured in the console, the card can provide pre-fade direct outputs for each of the 32 input channels. ![]() The Midas M32 console seems to come standard with a Klark-Teknik DN32 USB card.
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